Maynard is joined by his cousin, Zed, and their leather-clad servant, the Gimp Zed decides that they will rape Marsellus first. Marsellus and Butch awaken in the pawnshop’s basement, tied to chairs and equipped with red ball gags. A limping chase on foot leads them both into a pawnshop, where Butch punches out Marsellus and the proprietor, Maynard, concusses Butch. The next morning, Butch heads to his apartment to fetch a watch while there, he kills Vincent (John Travolta) and hits Marsellus with the car.
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He wordlessly grabs a claw hammer, then upgrades to a baseball bat, followed by a chainsaw. He turns back to help Marsellus, the man who just tried to kill him, but first he needs to find a weapon. And you’re like, ‘What? How did I get into Deliverance? I was in Body and Soul, what’s going on here?'” ( Body and Soul is a 1947 film noir about a boxer Deliverance is the 1972 Burt Reynolds movie about a river trip that takes a disturbing turn into hillbilly rape.) Although some dismissed Tarantino’s genre-shuffling as a cheap postmodern stunt, it was part of a deliberate strategy, along with the timeline jumps, to keep the audience off-balance.Standing at the door of the pawnshop in a blood-soaked T-shirt, on the threshold of escaping his predicament and his movie’s genre, Butch has a crisis of conscience (beautifully underplayed by Willis). The pawnshop was actually the Crown Pawn Shop, at 20933 Roscoe Blvd., in the Canoga Park district of Los Angeles — still in business today.“Part of the fun of Pulp,” Tarantino said, “is that if you’re hip to movies, you’re watching the boxing movie Body and Soul and then suddenly the characters turn a corner and they’re in the middle of Deliverance. And the creepy Zed was portrayed by Peter Greene, also seen as the villain in The Mask. Maynard was played by the Texan actor and playwright Duane Whitaker, who later wrote the sequel to Tarantino’s From Dusk Till Dawn.
The track he actually planned to use? The Knack’s No. (The theory falls apart because Budd’s lying: the sword turns up in a golf bag in his trailer.)The script dictates that the music playing during the rape of Marsellus is “The Judds, singing in harmony.” But Tarantino never intended to use the country-music family: he had gotten wise to the notion that if he specified the song he really wanted on the soundtrack, whoever controlled the rights would charge him extra, so he would plant false musical cues. Some people like to think that the sword Butch finds is a crossover from Tarantino’s Kill Bill movies: specifically, the sword that Bill (David Carradine) gave to his brother Budd (Michael Madsen), since Budd tells Bill that he pawned the sword. Tarantino’s screenplay specifies that Butch holds the weapon “Takakura Ken-style,” referring to the Japanese star of movies such as 1968’s The Drifting Avenger.There’s an entertaining but goofy theory about that sword, to be filed next to the fan-favorite notion that Marsellus Wallace’s soul has been removed through the back of his neck and stored in his briefcase. ) Then Butch spots the appropriate weapon of honor and vengeance: a samurai sword. (Check it out here, starting around 6:30.
Butch then faces down Zed (who, in his security guard uniform, is the closest thing we see to law enforcement in all of Pulp Fiction), daring him to reach for his gun.We see a figure standing behind Butch and hear a shotgun being cocked. Butch slices Maynard’s chest open with the sword and skewers him. I like using stuff for comic effect, but I don’t want it to be har, har, wink, wink, nudge, nudge, you know?” Instead, he picked “Comanche,” a 1961 song by the surf band the Revels.Surf Music and Seventies Soul: The Songs of ‘Pulp Fiction’Butch comes downstairs to find Zed sodomizing Marsellus in “Russell’s old room” (we never learn who the unfortunate Russell was) while Maynard cheers him on. Tarantino said that ultimately he was glad he couldn’t go with “My Sharona”: “It would have been too cutely comic. I thought, oh, God, this is just too funny not to use.”) Unfortunately, the 1994 Gen-X rom-com Reality Bites also wanted it for a scene where Winona Ryder, Janeane Garofalo, and Steve Zahn dance in a convenience store, and the licensing people chose Pringles over sexual assault.
“I’m pretty fucking far from okay.”“What now? Let me tell you what now. Wallace.”)“No, man,” he replies, as Zed howls in pain. Jackson’s Jules, is that “Marsellus Wallace don’t like to be fucked by anybody except Mrs. (As Jason Bailey points out in his recent book on Pulp Fiction, one of the first things we learn about Marsellus, courtesy of Samuel L. Butch does, and Marsellus then blasts his rapist in the groin.
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